The Pace of Life

Excerpt from Catching the Big Fish by David Lynch

Fifty years ago, people were saying “Everything’s speeding up.” Twenty years ago, they were still saying “Everything’s speeding up.” It always seems that way. And it seems even more so now. It’s crazy. When you watch a lot of TV and read a lot of magazines, it can seem like the whole world is passing you by.

When I was making Eraserhead, which took five years to complete, I thought I was dead. I thought the world would be so different before it was over. I told myself, Here I am, locked in this thing. I can’t finish it. The world is leaving me behind. I had stopped listening to music, and I never watched TV anyway. I didn’t want to hear stories about what was going on, because hearing these things felt like dying.

Lynch at breakfast

At one time I actually thought of building a small figure of the character Henry, maybe eight inches tall, and constructing a small set out of cardboard, and just stop-motioning him through and finishing it. That was the only way I could figure doing it, because I didn’t have any money.

Then, one night, my younger brother and my father sat me down in a kind of dark living room. My brother is very responsible, as is my father. They had a little chat with me. It almost broke my heart, because they said I should get a job and forget Eraserhead. I had a little girl, and I should be responsible and get a job.

Well, I did get a job: I delivered the Wall Street Journal, and I made 50 dollars a week. I would save up enough to shoot a scene and I eventually finished the whole thing… Jack Nance, the actor who played Henry, waited three years for me, holding this thought of Henry, keeping it alive. There’s a scene in which Jack’s character is on one side of a door, and it wasn’t until a year and a half later that we filmed him coming through the other side of the door. I wondered, how could this happen? How could it hang together for so long? But Jack waited and held the character.

Rabbits (Lynch short series)

There’s an expression: “Keep your eye on the doughnut, not on the hole.” If you keep your eye on the doughnut and do your work, that’s all you can control. You can’t control any of what’s out there, outside yourself. But you can get inside and do the best you can do.

The world isn’t going to pass you by. There’s no guarantee that anything is going to make you a success. But with focus – although the events of your outer life may stay the same – the way you go through those events changes and gets so much better.

Note:  Since I’m not an advocate for transcendental meditation, which Catching the Big Fish is largely a pitch for, I’ve removed all references to it (one omission and two short rewrites). If you’ve read the book you may likely consider this dishonest, to which all I can say is that what Lynch is saying about the creative process resonated with me a lot but his argument that TM is the solution didn’t win me over and I don’t want to give anyone reading this blog that impression.

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