In retrospect, a seminal film. John Milius‘s first directorial effort (1973) set the mythopoeic form for much 70s action cinema, balancing a romantic reverence for past heroes with a revisionist approach to character. Milius’s Dillinger (Warren Oates) is a self-conscious mythmaker (he consoles his holdup victims with the promise, “Someday you’ll tell your grandchildren about this”); his FBI nemesis, Melvin Purvis (Ben Johnson), is less interested in justice than in headlines, though his obsession with Dillinger is tinged with a strange Freudian intensity. As the mulish, arrogant Baby Face Nelson, Richard Dreyfuss has one of his best screen roles. The cheap AIP production doesn’t allow for period detail, but the vagueness of the settings contributes to the film’s subtle stylization.