Kehr’s Weekly Recap: Love Me Tonight (1932)

Love Me Tonight (1932)

Rouben Mamoulian‘s thrilling and innovative 1932 musical with Jeanette MacDonald, Maurice Chevalier, Myrna Loy, and Charles Ruggles, with a fine Rodgers and Hart score that includes “Isn’t It Romantic?” and “Lover.” Similar in many respects to the Lubitsch musicals with MacDonald and Chevalier during the same period, although Mamoulian’s lively experiments with rhythm, framing, and superimposition are very much his own. 104 min.

Kehr’s Weekly Recap: Island of Lost Souls (1933)

Island of Lost Souls (1933)

One of the best-kept secrets in rock criticism is that all of Devo‘s original act—from the “de-evolution” rap down to the chant of “Are we not men?”—was a straight cop from this 1933 adaptation of H.G. Wells‘s Island of Dr. Moreau. Charles Laughton, with an obscene caterpillar mustache, is the mad doctor working on the transformation of animals into (sub)human beings by means of sickening “surgical techniques”; Richard Arlen and Leila Hyams are two shipwreck survivors who, unsuspecting, wash up on his shore. It’s a grand, hokey chiller, dripping with sex and sadism and photographed in dense, Sternbergian shadows by the great cinematographer Karl Struss. With Bela Lugosi as the leader of the pack, and Kathleen Burke as the unforgettably insinuating Leopard Woman. Erle C. Kenton directed. 70 min.

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